Read moreĭefining Space explores the impact of negative space within the work of 20th and 21st century artists, demonstrating how line and drawing play a crucial role in mapping out imagined spatial configurations. The artist has received many awards: the New York City Mayor’s Award for Arts and Culture (1981), the Ordre des Arts et des Lettres from the French government (1989), and the National Medal of the Arts (US) in 2009.įrank Stella lives and works in New York City. Other major solo exhibitions include: ICA Gallery, London (1985), The National Museum of Art, Osaka (1988), Museo Nacional Centro de Arte Reina Sofia, Madrid (1995), and Museum of Contemporary Art, Miami (2000). His first retrospective exhibition, in 1970, at the Museum of Modern Art, New York, was followed by another in 1987. Guggenheim Museum, New York, 1966), XXXII Venice Biennale (1966), Documenta 4 (1968), New York Painting and Sculpture 1940 – 70 (Metropolitan Museum of Art, New York, 1970), and Structure of Color (Whitney Museum of American Art, New York, 1971). Guggenheim Museum, New York, 1964–65), Systemic Painting (Solomon R.

degree in History. Throughout the 1960s and 70s, Stella’s work was included in a number of significant exhibitions that proved to define the art of the time, including Geometric Abstraction (Whitney Museum of American Art, New York, 1962), Toward a New Abstraction (The Jewish Museum, New York, 1963), The Shaped Canvas (Solomon R. Stella studied art history and painting at the Phillips Academy in Andover, Massachusetts, and continued his studies at Princeton University, where he graduated in 1958 with a B.A. His later work has evolved into three-dimensional space and shed its minimalist look for a Baroque exuberance of form and colour. At the age of 34, Stella became the youngest artist to have a full-scale retrospective at MoMA, New York, in 1970. In 1959, at the age of 23, he joined Leo Castelli’s gallery, New York, and a year later his work entered the Museum of Modern Art’s collection. Stella’s pared-down aesthetic quickly received serious attention. These hyper-flat works undermined illusionistic space through variations in the shape of the ‘canvas’ and ascetic colour schemes. Working in sequential series, Stella elaborated his formal developments starting with ‘Black Paintings’, followed by ‘Aluminium Paintings’, ‘Copper Paintings’, ‘Concentric Squares’, ‘Mitered Mazes’, ‘Irregular Polygons’ and ‘Protractor Paintings’.

His geometric paintings are objects which refer to nothing outside themselves: in Stella’s own words “what you see is what you see”. 1936, Malden, Massachusetts) is an American painter, printmaker and sculptor whose work in minimalism and post-painterly abstraction has had a profound influence on visual art since the 1960s.

Frank stella